Authenticity of 17th-century Cusqueño art in the work of José Uriel García (1922-1925)

Authors

  • Marco Antonio Caparó-Aragón Universidad Nacional Mayor de San Marcos, Lima

DOI:

https://doi.org/10.20453/ah.v64i1.3905

Abstract

The article is a look at the historical-artistic reflections of José Uriel García (1894-1965) on Cusqueño art, written between 1922-1925. Speech in which the creation of Peruvian artistic history prevails through new aesthetic values proposed in the creation of the artistic object. His worth tries to demonstrate the presence of genuine art in Cusco. In this sense, through artistic historiography, an attempt was made to have important approaches to explain the development of the concept of plastic authenticity of the author. And, also, the factual relationship between work of art and artist, disseminated artistic reproductions.The analysis of the results made it possible to observe the following aspects. The authenticity of 17th-century Cusqueño art is manifested in the buildings of churches and peripheral parishes in popular neighborhoods.The same for painting and sculpture, whose principle of validity is demonstrated in the deformation of the Baroque style to introduce new aesthetic values, Inca ornaments, mixed faces, etc.

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Published

2021-04-05

How to Cite

Caparó-Aragón, M. A. (2021). Authenticity of 17th-century Cusqueño art in the work of José Uriel García (1922-1925). Acta Herediana, 64(1), 5–13. https://doi.org/10.20453/ah.v64i1.3905

Issue

Vol. 64 No. 1 (2021): January - June

Section

ARTICLES

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